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The other great Copenhagen manufactory Royal Copenhagen had a system for each pattern: the pattern name had a number at the series of items in that particular pattern had another number.At B&G there is not shown pattern numbers, but each item has a number, which is the same at all pattern for the same kind of item.Together with the new patterns from the 1960s like Azur, Rune and Cordial, it became a successful business both for export and the home market.In the early 1970s when B&G took over, the pattern Tema became the most sold tableware in Denmark.An attempt to make a complete B&G dinnerware item list is found here with Seagull as the ongoing example: B&G Seagull items overview 1937.In 1957 Kronjyden initiated a stoneware production in cooperation with the designer J. Quistgaard (1919-1987) and his company Danish Design, starting with Flamestone and followed by Relief.

There are different approaches for determining the authenticity of antique paintings: - verifying authenticity through a purely stylistic evaluation - verifying the authenticity of a painting by means of objective tests of the ageing of the material - verifying the authenticity of a painting with the use of scientific instrumental methods.

In trade on the 2ndary market it makes no difference if the figurine is mint.

When the industrial production of the B&G dinnerware reach a certain level, a marking system was invented.

I 1957 pbegyndte Kronjyden en produktion af stentjsstel i samarbejde med designeren J. Quistgaard (1919-1987) og dennes firma "Dansk Design": Frst Flamestone og siden Relief; efterfulgt i 1960erne af Azur, Rune og Cordial.

Dette blev en succes bde p eksport- og hjemmemarkedet. I 1980erne mnstre som Cafe og Camelia var s fint stentj at det nrmede sig porceln i kvaliteten.

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