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Those subjects (as the movie sees them) are the difference between the impotent upper classes and the animalistic working classes; society's need to deny the normal sexual feelings of young women; and the inevitable victory of the system.
Jaeckin of course finds additional subjects in Lawrence, specifically arms, legs, breasts, thighs, and steaming baths in secluded forest clearings.
Then Suzanne falls in love with the man hired to build the office.
Drawing some intriguing parallels between the work of the prostitute and that of the psychiatrist-both have clients, both charge for sessions, both take on roles that serve the needs, ... In Santiago, Daniela and Bruno, both about 30, meet at a party, go to another and end up in a hotel. See full summary » Sir Clifford has returned from the Great War to his estate near Sheffield, paralyzed from the waist down.
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A group of cinematic spend a holiday in the French countryside.
The rhythms of nature awaken Connie - daffodils, pheasant chicks - and soon she and Parkin become lovers. Connie's trip to France, with her father and sister, bring the lovers to a nuanced resolution.
During his absences she tries to amuse herself with gardener Thomas, but always gets interrupted by new visitors. See full summary » Suzanne is a well married mother, but her bourgeois lifestyle gets her down and she decides to go back to work as a physiotherapist by building an office in their backyard. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her ... He is Pigoil, the aging stage manager at Chansonia, a music hall in a Paris faubourg.Clay belongs to that generation of gifted British actors, in their 30s which also includes Jeremy Irons and John Hurt, and no doubt he was promised that this film of "Lady Chatterley" would be faithful to Lawrence's original vision. He was offered a film version of "The French Lieutenant's Woman" that played havoc with the John Fowles novel and he took it anyway.The Ebert Club is our hand-picked selection of content for Ebert fans.His confession is a long flashback to New Year's Eve, 1935, when he ...See full summary » Suzanne is a well married mother, but her bourgeois lifestyle gets her down and she decides to go back to work as a physiotherapist by building an office in their backyard.